Traditional Photography

I trained in the days of dark rooms and the smell of chemicals. I loved it!

Since digital, creative photography has been in the office in front of a screen, it’s never been the same since. I miss it.

Several years ago I rebuilt my darkroom and equipped it with all of the gear I couldn’t afford when it was the only way to get a print created. eBay has supplied me with a DeVere 504 enlarger, several thousand pounds 20 years ago, now just a couple of hundred.

My darkroom is superbly equipped now with 2 enlargers, processing tanks, trays, masking frames, print washers, print dryers, timers, the best enlarging lenders etc etc.

I can process and print from 35mm film, through all the medium format sizes to 5x4, the ultimate quality.

Also I have collected the best film cameras and repaired my 5x4 camera that I had kept unsized for 20 years.

Leica, Nikon, Toyo, Mamiya and Rollop are all on the collection.

Enjoying every minute of use.

Now I am offering the opportunity for people to experience a full day of traditional photography. Using any of the classic camera collection and processing to print in the one day.

At the start choose your camera, fill it with film, then out into the world to make images.

Back for lunch, then process the film, after it’s dry, print it, take your creations home.

All black and white film and paper up to 10x8 inches is included. A bargain price of £150.

All through the day one to one tuition, advice is given. Learn what to buy, how to create a darkroom, how to start.

A great opportunity to experience and learn theses wonderful old creative techniques. It’s an opportunity to be different.

Available in the store.

Buy Traditional Photography Experience

Some of the cameras available and the process

Chinese Airline’s Haute Couture Uniform

One airline in China has just elevated their dress code to new
heights by providing their crew members with stylish haute
couture uniforms that seem to be taken straight out of a fashion
magazine cover.

Hainan Airlines have collaborated with designer Laurence Xu who introduced the new attire at the Paris Couture Week. Inspired by the ‘Cheongsam’, a traditional Chinese dress, the uniform features a blend between the modern Western-style fashion trends and traditional Chinese art elements like cloud drawings, waves and even the Chinese mythical bird – the Roc.

“The cooperation between Hainan Airlines and Lawrence Xu is industry leading. We are not only creating a new uniform but also showing the internationalized image of our airline. Especially on international routes, we would like to let passengers know that China is modern and trendy,” said Xu Fei, brand director of Hainan Airlines.

Men’s version of the uniform is a bit less extravagant and Western-looking, with double-breasted overcoats and smaller elements of the traditional Chinese culture.


Much work these days is eCommerce for online sales. It seems easy but is actually quite difficult and requires much care in order to deliver a consistent set of images.

I rarely share work of thie type but I am going to share the site of a recently acquired client.

They sell online young male fashion. When you look through the site, notice how consistent the images are. It is for this attribute that it is worth finding a good photographer with excellent equipment.

We use a studio in the North East of England but I use my Elinchrom lighting. This lighting delivers a very consistent light over a long period and from session to session. The lighting at the studio has unknown properties and so I do not use it in order to deliver the consistentcy the client demands.

I am only showing a single image, to see the whole range do visit the website.

10 questions I will ask

I realise was that I must ask the right questions from the start and originally I was continually interpreting what the client was SAYING to me instead of what they really wanted. This happens all the time and it is OUR job not the clients to interpret what they want. For that reason I have created a list of questions that I ask my clients that make everybody sit calm and understand each other. No more headaches and confusion trying to guess

what the client really wants. Ok here are the questions…

What is the emotion, feeling or vibe you want to portray in these
images? Is it fun, playful, mysterious, cute, serious etc…?

     -This is probably the most important question I will ask.
Sometimes clients have given me a visual of what they want and then the
emotion behind it and they conflict. It is your job to take the emotion
and interpret it. 

2. What is the main purpose for choosing me as a photographer? What do you like about my images?

     -I  need to know why they chose me. Is it because of my lighting? the feel of the images, the models I use, my photoshop
work, concepts, colours, energy? I ask this so that I know what to
focus on while creating an image for them. Maybe they just picked me
because they like the bright colour I use. What if I create a
dark image for them? It’s all about getting into the mind of the client
and making sure they are completely happy with the end result.

3. What do you want to stay away from? Are there any cliches in your industry or things you are sick of seeing?

     -In most cases I am not going to be super familiar with the
industry that I am shooting for. Once I shot a campaign using only white
males in the image without thinking. After the image was created the
company asked why I didn’t add in a more diverse group of people. Where
are all the women, africans, muslims, asians etc… oops. I was so
involved in the concept that I wasn’t paying attention. I could have
resolved that by just asking the right questions at the beginning.
Luckily I had shot a diverse group so I just replaced some of the

4. What is your current demographic? What type of demographic are you trying to attract?

     -Maybe they have been attracting a 50+ demographic for the past
100 years and now are trying to get to millennials. Did you know that
before you started shooting?? 

5. What do you like about the reference images you sent me?

     -Once again it’s about interpreting what they ACTUALLY mean. Let’s
say they send a reference image of a girl dressed in red with red
lipstick, snow in the background and a horse by her side. Before I get on a phone call
with the client to ask all the questions I do some concepting
on my own. I assumed the client wanted an animal in the image because
the horse was so prevalent in the one they sent. I concepted 5 or so
images with animals in them. When I got on the call with the client the
first question I asked was “I assumed you wanted an animal in the image.
Is that correct?” I was talking to the management team and they
said…”NO…our artist hates animals in pictures! Don’t put any animals
in there anywhere.”

wow. Did the client send the reference shot because they liked
the red dress, red lipstick, background, snow or horse? That’s why I
need to ask.

6. What are the things you HAVE to have in the images?

       -This goes along with the last question (#5)

7. How much TOTAL time will the client have for makeup, hair and photo shoot?

     -I don’t assume. I was shooting a high end client in London and hadn’t asked how much time they had. I knew it was short but
when he arrived him and his team seemed to be in a mad rush and I had
only 14 minutes to shoot. 

8. How many people will be on set from your team?

       -Just so I’m prepared when they bring 30 people. 

9.How many images do you need? Can you explain each image that you want?

     -Another important one which might sound obvious but I somehow
have skipped this in the past. The client thought I could pop
out 10 composites in a few hours and me assuming they knew how hard
compositing was thought they meant two. Also by getting specific about
each image it will set good expectations for final delivery. I bring
this up multiple times in emails, estimates, contracts and invoices.  

10. When is the soft deadline and when is the hard deadline?

       -They always tell you the soft deadline and make it sound like the hard deadline. I need the actual dates.

Its important that we get all of this sorted out early, it will save so much heartache later.

Latest Book Published

April 4th my latest book is published, Diary of a Lost Girl.

Coinciding with the opening of the Gift Project exhibition in Istanbul. An exhibition of art from artists all over the world.

The book has a cover price of £35.00 but available direct from my store

For the discounted price of £25.00

Each copy is numbered and signed by me. The edition is imited to 100 copies.

ISBN  978-1-78808-543-4

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